![]() This is essential advice, which applies to all types of clarinet: make sure to use enough air. It is often helpful to try several combinations to find the one that works best for you. A large colorful image shows the fingering and includes an audio example of the pitch, as well as alternate fingerings. Make sure you have a very good mouthpiece, ligature and reed combination, this plays a crucial role in sound and ease of response. If a fingering works well but sounds a bit flat, you can add the sliver key of the right-hand to raise the pitch a bit. ![]() Do not hesitate to consult fingering charts, but also to create your own fingerings. A lot of times, the altissimo notes and the traditional fingerings of the E flat clarinet do not have the same tuning capabilities that they do on the B flat or A clarinet. High notes are quite common for the E-flat clarinet, and cause difficulties for many of us. ![]() Doing long tones will also help you to work with a tuner to get used to the tuning tendencies of the Eb clarinet. ![]() That way, your fingers can get used to the keywork, which is much smaller than on other clarinets. Start by playing very slow scales and long tones. ![]()
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